b'20012971297 terrain that was used for planning of offensive operations. The HORACE MILLICHAMP MOORE-JONESdangers of his work were well understood, and Birdwood later (1868-1922), commented: Many of Moore-Jones pictures were, I know, done while shells were whistling overhead, and they portray (Gallipoli, ANZAC Cove), very faithfully the country in which we were operating.watercolour, During a seminar in Dunedin in 1917 on his war experiences signed lower left Sapper H. Moore-Jones, 1915. at Gallipoli, Moore-Jones mentioned his recollections of a Housed in original gilt frame with card mount and pencilman who, with the help of a donkey, transported wounded annotations to the upper margin describing features ofmen from the hills at Gallipoli to medical posts. An audience the landscape, reading left to right: Plugges, N.Z.H.Q.,member loaned him a photograph, taken by James Jackson McLacagans Ridge Aust. H. Q., ANZAC H.Q., Achi Baba Turk.,who served at Gallipoli with the New Zealand Medical Corps, Gaba Tepe Turk., Cape Helles. of a medical orderly transporting a wounded soldier on a 20 x 91cm, 44 x 114cm overall. donkey. It was from this photograph, now held by the Waikato A sweeping landscape, with soldiers standing in theMuseum, that Moore-Jones based his best known and most foreground, watching ships coming in to the cove; rows ofadmired work entitled The Man with the Donkey.tents visible on the ridges. $6,00010,000PROVENANCEBy descent, from the estate of Geoffrey Street, Minister for1298the Army, 1939 - 1940. Street had participated in the landing atLIONEL LINDSAY (1874-1961),Anzac Cove on 25th April, 1915 as platoon commander of DHornbill,Company. He and his men reinforced a hill named Baby 700 and succeeded in holding the position for several days. woodblock,Born in Malvern Wells, Worcestershire, England, the artist,signed lower left Linonel Lindsay,Moore-Jones and his family emigrated to New Zealand when16 x 15cm, 37 x 32cm overallhe was about 17 years old. He soon became a professional$400600artist and worked in both New Zealand and Australia. On the outbreak of the First World War, he volunteered for service1299in the New Zealand Expeditionary Force. He participated inLIONEL LINDSAY (1874-1961),the Gallipoli Campaign, initially as a sapper but later as a war artist. After leaving the NZEF, he worked as an art teacher andJester,conducted a number of exhibitions and lectures around Newwoodblock,Zealand. He died in 1922 as a result of extensive burns whilesigned lower left Lionel Lindsay,rescuing people from a fire which destroyed the Hamilton17 x 11cm, 29 x 22cm overall.Hotel, in the city of Hamilton. $400600On 25 April 1915, Moore-Jones was among the sapper contingent that landed late in the afternoon on Gallipoli.1300The sappers were immediately put to work building emplacements for howitzers and machine-guns, diggingLIONEL LINDSAY (1874-1961),support trenches on the plateau where Lieutenant-ColonelBilly Tea,Arthur Plugge established his headquarters, and constructingdry point engraving,tracks on Walkers Ridge. Coming to the attention of seniorsigned lower left Lionel Lindsay,commanders due to his artistic skills, Moore-Jones was19 x 14cm, 36 x 28cm overall.seconded to the ANZAC Printing Section, which was attached to Lieutenant-General William Birdwoods headquarters.$200300 Declining an offer of a commission, preferring to remain in the ranks, he made several topographical sketches of the'