THE MICHAEL FAMILY CAMERA MUSEUM | Part II

Live Auction

Tue 12th Dec 2023

Time: 12:00pm

While it is sad when an Australian institution closes, in the case of this fabulous assemblage, it means that collectors and museums all over the world will be able to add a rare piece of history to their own collections. Truly, a once in a lifetime opportunity.

Most Melbourne residents or visitors to the CBD would be familiar with Michaels Cameras. The Michaels family has conducted business on the corner of Elizabeth & Lonsdale Streets in downtown Melbourne since 1916. My great-grandfather Emanuel, started business there as a pawn broker and gunsmith in those distant early years. My grandfather, Harold, evolved the business into a chemist which also sold photographic equipment. In 1976, my father Alan took the bold decision to remove the chemist which had been there for 50 years and focus on the camera business. The camera and film processing part of the business eventually became the predominant activity, and it is that business that became a destination for photographers, professional and amateur, for more than nine decades.

In the late 1970’s, nearly 50 years ago, my father, Alan, and my brother, Tony, realised that Michaels was taking as trade-ins, many unusual and interesting cameras that people wanted to exchange for newer or more sophisticated photographic equipment. Although delighted to facilitate the growth of the business in this way, it quickly became clear to them that their cupboards and shelves were becoming a repository of photographic history, a history which was not being adequately preserved in Australia, a challenge they were uniquely in a position to address. Alan and Tony made the conscious decision to conserve, display and actively expand the evolving collection, which meant not just relying on trade-ins, but also attending auctions, swap meets and buying from private collections that offered unique or unusual additions to what they had already accumulated. The evolution of photography as reflected in these little masterpieces of design and construction was their inspiration and, within a few years, the collection had increased to the point where housing it and displaying it became a real challenge.

At around this time an architect and die-hard Leica collector approached my father, as he wanted to sell his extensive Leica collection. My father bought the collection which became the foundation of the world class Leica collection you will find in the following pages of this catalogue. The collection continued to grow and eventually we had more than 3,000 items on display in a superb museum space created for the purpose. A visit was always free, and over the years we hosted many thousands of enthusiasts who visited from interstate and overseas, as well as many members of local historical societies and museum curators.

The quality of the cameras and other equipment that went on display was always the best example of an item we could find. Over the years of trading in these collectable cameras, whenever one came in that we already had in the museum, we would compare them, keep the better example, and dispose of the other. At its’ peak, a few years ago, the museum became the largest private camera museum in the world. There are no duplicates in the collection, every camera has its’ differences. Sometimes these differences are very small, for example, one may have a distance scale in metres and the other in feet.

Having decided to cease trading, we have been assisted and directed in the decisions to do with the collection, by Charles Leski and his staff. There is no doubt that the content of the museum is the most important legacy of Michaels, so the planned series of auction catalogues will provide a permanent record of all the items in the collection at the time we closed. I am delighted to see so many beautiful cameras – including some of my personal favourites – presented in this second auction.

Together with the rest of my family, I thank you for your interest in our collection and I hope you are able to acquire something that gives you as much pleasure as it has given us.

Peter Michael

Featured Lots

Lot 48

COMPASS CAMERAS: Compass subminiature rangefinder camera [#2772], circa 1937, with 35mm f3.5 lens [#CCL3B] and original advertising materials. Praised for its wealth of features that belie its small form-factor, only about 5000 were manufactured before production had to be ceased due to the Second World War.

Est: $2,000 - $2,500
Price Realised including BP: $5,975

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Lot 134

FRANKE & HEIDECKE: Rolleiflex 2.8F 1983 Aurum Edition gold-plated commemorative TLR camera [#8300420], with Xenotar and Heidosmat 80mm f2.8 lenses and alligator-leather covering. Presented in wooden maker's box with leather wrist strap.

Est: $3,000 - $4,000
Price Realised including BP: $5,975

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Lot 135

FRANKE & HEIDECKE: 1984 Rolleiflex 2.8F Platin Edition platinum-plated commemorative TLR camera [#2985085], with Zeiss Planar [#6886894] and Triotar [#6990777] 80mm f2.8 lenses, crocodile-leather covering, and 'Platin Edition' plaque that reads '085/500'.

Est: $4,000 - $6,000
Price Realised including BP: $7,767.50

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Lot 153

HASSELBLAD: 1987 Hasselblad 500C/M 'Gold Exclusive' limited-edition medium-format SLR camera [#RT 1401214 & #RT 3301879] in black and gold, with Planar 80mm f2.8 lens [#6953169]. Presented in maker's box with certificate of authenticity, instruction booklet, and wrist strap, this camera bears a plaque indicating it to be number 76 of 1400. Issued to commemorate the 30th anniversary of the introduction of the Hasselblad 500C.

Est: $2,000 - $3,000
Price Realised including BP: $5,497

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Lot 154

HASSELBLAD: Originally delivered to NASA in 1991 for use by astronauts in photo training, this Hasselblad Space Camera 553ELS [#RC 1327938] is one of only 18 reconditioned units made available to collectors in 1999 after their final return from service in the space program. Complete with film magazine [#33EC10464], DE-32 DM-100/200 data magazine unit, RN-2 reflex viewfinder [#107], Carl Zeiss Sonnar T* 150mm f4 lens [#8147752], front lens cap, instructional booklet, and certificate of authenticity.

Est: $25,000 - $35,000
Price Realised including BP: $38,240

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Lot 155

HASSELBLAD: 1999 Hasselblad XPan 35mm rangefinder camera [#IBSI13702] with Hasselblad 45mm f4 lens [#8YS130839], together with Hasselblad centre filter and lens hood.

Est: $2,000 - $3,500
Price Realised including BP: $10,157.50

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Lot 156

HASSELBLAD: 1999 Hasselblad XPan 35mm rangefinder camera [#11EE16027] with Hasselblad 45mm f4 lens [#8YEE16021].

Est: $2,000 - $3,500
Price Realised including BP: $5,497

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Lot 220

KONICA: Type 89 Moving-Image Machine-Gun Camera Mark II (八九式活動写真銃改二), circa 1933. Complete in custom metal locker with gun sight attachments, six metal film cassettes, lubricant flasks (one still full), servicing tool kit, bracket and clamp. Both camera and locker bear the serial number 2472, and an anchor imprint on the locker indicates that this example was used by the Japanese Imperial Navy.

Est: $2,000 - $3,000
Price Realised including BP: $4,780

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Lot 234

LEITZ: Enormous point-of-sale, custom built Leica model with "coupled" viewfinder. 218cm high overall including viewfinder, 178cm wide, 90cm deep including lens (45cm without). Believed to be the largest "model" Leica ever built.

Est: $2,000 - $3,000
Price Realised including BP: $8,962.50

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Lot 367

NIPPON KOGAKU: Nikon SP rangefinder camera [#6212936], circa 1959, with Nikkor-N 50mm f1.1 lens [#140925] and matching Nippon Kogaku L38 62mm UV filter.

Est: $2,000 - $2,500
Price Realised including BP: $5,019

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