Live Auction

Tue 8th Mar 2022

Time: 06:00pm

Meet the late Martin Sachs.

Sounds a bit strange, doesn’t it? But in the following pages of this unique catalogue you will find the character, wit and generosity of spirit that Martin brought with him to his life in Australia. A lover of art, a magnanimous host, a lover of wine and a man imbued with a quality of kindness and charity that continues to touch many lives. We hope you can experience some of his joie de vivre, as you also get to know him.

Martin Sachs was born on 9 May 1925 in Krakow, Poland. The only son of Hannah and David, he was an excellent student whose education was cut short at 14 with the onset of the war. Whilst he was originally relieved by the prospect of not having to learn Latin, that was quickly quashed as the family was forced into the Krakow Ghetto. Martin’s father was rounded up in the Ghetto and transported to Belzec death camp where he was killed in 1942. Martin and his mother were able to remain together until August 1944 when they were separated and he was sent to the Mauthausen Labour Camp. Martin’s mother was sent to Auschwitz, then transported to Stutthof concentration camp where she was killed early in 1945. Of the 5000 young boys and men sent to Mauthausen, Martin was one of 500 to survive, eventually being liberated by US forces in May 1945. He was just 20 years old.

He returned to Poland for a few years after the war, trying his hand at a range of enterprises, but after seeing no future for himself there on account of the continuing anti-Semitism he left for Australia in 1948. In Australia, his major commercial activity was as a builder and developer. Martin began with houses and remains renowned in the Beaumaris area for his innovative designs including the conversion of a chicken farm into a residential court, a project still much admired and valued by the residents of those forty homes in Bellaire Court. He then moved on to high rises in St. Kilda, most on Beaconsfield Parade, as well as office showrooms around South Melbourne. For students of architecture and building practices, Martin’s body of work remains important and influential.

Martin had many passions and never hesitated to express these through his support of them. He was a life-long supporter of Israel which found expression through his efforts on behalf of the Jewish National Fund which raised funds for land reclamation, swamp clearance, tree planting and other environmental projects. His Blue Box efforts became legendary as he persisted with them into his late 80s, despite the difficulty he already had walking. He believed strongly in the importance of giving blood, receiving recognition from the Australian Red Cross for his life long donations. He loved everything Australian, and was tremendously grateful for the opportunities and experiences he was able to enjoy in his adopted land.

He loved classical music, was a big supporter of the arts and was a passionate advocate for and consumer of Australian wines. He was a great cook and a keen chess player. He cared greatly for others, took a genuine interest in people he met, supported those in need and made sure to share that which he held to be important or loved in the world with those around him. He celebrated and supported artistic creativity and counted several artists amongst his friends. Besides housing his huge wine cellar, the home he designed and built in Montalto Avenue Toorak, with its vaulted ceilings and huge walls, provided a magnificent gallery for the many paintings, drawings and sculptures he collected.

There was no segregation between the different parts and passions in Martin’s life. He didn’t have people he only worked with – working with Martin meant being a part of his social life as well. He didn’t just cook for himself, but was renowned for his dinner parties. He didn’t donate blood alone, frequently encouraging his colleagues to come with him and to get involved. He had a unique ability to combine some of his passions in ways that not many others would, often cooking and preparing for a dinner party whilst having three games of chess going on at the same time and a glass of wine at hand.

Martin was a man who, in early life, had so much taken away from him and experienced the unspeakable horrors of the Holocaust. Although these losses and atrocities plagued him throughout his years, he overcame them to be a man who gave so much and whose true generosity of spirit found final expression in his will. A significant portion of his art collection was gifted to friends and family, and six of his closest “mates” each received a selection of vintage wines from his extensive cellar, “so they could drink to his memory and the good times they shared”.

A Fund to be established in memory of Martin’s parents and to be used for the furtherance of education and research, particularly in the science of chemistry, will ultimately benefit from Martin’s estate.

Martin Sachs passed away recently at the age of 95. A life well lived.

001-089 Works of Art
090-328 Australian Wines
329-335 Brandies, Ports & Mixers
336-339 Spirits
340-347 Liqueurs etc.
348-357 French & German Wines

Limited Liquor Licence: 90163550

Under the Liquor Control Reform Act 1998 it is an offence
– To supply alcohol to a person under the age of 18 years (Penalty exceeds $19,000)
– For a person under the age of 18 years to purchase or receive liquor. (Penalty exceeds $800)

Featured Lots

Lot 1

JANE SUTHERLAND (1853 - 1928) Girls picking blackberries, pastel and gouache on board, signed lower right, 23.5 x 29.5cm

Est: $3,000 - $5,000
Price Realised including BP: $19,120

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Lot 2

JOHN RICHARD PASSMORE (1904 - 84) Bathers, oil on board, circa 1940s, 26.5 x 42cm With Macquarie Galleries label verso "certifying that this painting is an original work by John Passmore, painted in England during the 1940s, from the collection of Mr. Reginald Jenkins, at whose country house Passmore frequently stayed."

Est: $8,000 - $12,000
Price Realised including BP: $18,522.50

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Lot 9

IAN FAIRWEATHER (1891 - 1974), Chinese Village Landscape, watercolour and gouache on paper, signed lower right, 38 x 41cm. Closely associated with "Hangchow Canal, 1945“47" watercolour, gouache and crayon on paper, signed lower left, 37 x 41 cm

Est: $80,000 - $120,000
Price Realised including BP: $155,350

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Lot 16

GEORGE RUSSELL (Russell) DRYSDALE (1912 - 81), Muri Camp, Condobolin, ink and watercolour on paper, signed lower right, 28 x 50cm. Also titled and signed by the artist verso; additionally bearing a small typed label "No.7 of a set of twenty drawings published by the Sunday Mirror for Dark Heritage. Sydney, March, 1961."

Est: $10,000 - $15,000
Price Realised including BP: $20,315

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Lot 17

LeROY LEVESON LAURENT (Roy) De MAISTRE (1894 -1968) Hyacinths, oil on board, signed lower left, 79 x 60.5cm. de Maistre returned to this still life composition, creating an almost identical but slightly smaller version on canvas. This example bears his original Eccleston Street, London label verso.

Est: $35,000 - $45,000
Price Realised including BP: $31,070

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Lot 28

INGO KLEINERT (b.1941), Growth, oil on board, signed and dated '66 lower right, titled verso. 122 x 122cm.

Est: $500 - $1,000
Price Realised including BP: $2,031.50

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Lot 36

JACK ABSALOM (1927 - 2019) Watson's Hut at Sunset, oil on canvas, 25.5 x 35.5cm, signed and dated '73 lower right

Est: $500 - $750
Price Realised including BP: $6,572.50

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Lot 46

JOEL ELENBERG (1948 - 80) Untitled, marble on marble base, raised on a custom-built steel base, engraved "ELENBERG" on side, height: 62cm, width: 71cm, height of base: 75cm. (overall height: 137cm)

Est: $15,000 - $25,000
Price Realised including BP: $292,775

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Lot 59

BRETT WHITELEY (1939 - 92) Towards Sculpture 2, 1977 Lithograph, edition: Artist's Proof 1/5, signed lower right, numbered lower left AP 2 1/5, stamped upper right with artist's monogram, 91 x 63.5 cm (sheet). While the suite of eight lithographs was created in an edition of 50 sets, the present example is from the extremely rare edition of five sets of artist's proofs prepared for Whiteley. These were numbered AP1 to 5. This example is from the second set.

Est: $10,000 - $15,000
Price Realised including BP: $26,290

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Lot 63

BRETT WHITELEY (1939 - 92), Arkie on the balcony, Lavender Bay, Oct.'78, ink and watercolour on paper, signed, titled and dated lower right, 52 x 75cm. Will be an addendum entry for the Whiteley catalogue supplement. The number 187a.78 has been allocated by the editor, Kathie Sutherland.

Est: $50,000 - $75,000
Price Realised including BP: $119,500

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